00:00 Bass (Doug Watkins) plays a walking solo
00:15 Drums (Max Roach) enters lightly, with mainly 2nd and 4th beats on the foot cymbals.
00:43 Tenor sax (Sonny Rollins) enters establishing the theme.  Notice the simplicity of the melody. The two note idea will be an ever present motive.
01:05 Second chorus.
01:06 Piano (Tommy Flanagan) enters, solves any key problem listeners may have had due to Rollins's angular solo lines.
01:19 Solo moves into a double-time melody
01:39 Notice the return of the opening motive.
01:42 Melodic extensions become more frequent and are followed by double-time melodic patterns. The two and three note motives appear between the double-time statements.
02:10 New chorus is mostly double-time in which the two note motive is still present
02:31 Final chorus of solo brings back the short fragmented motive for more exploration
02:57 Piano solo --the I, IV, and V chords can be detected quite easily in the left hand
03:13 New chorus, a little more animated but still keeps the "funky" feeling
03:36 Final chorus of piano solo
03:57 Tenor sax returns--very short interlude, just a clue to designate that the piano solo is over and that the drum solo should start
04:07 Drum solo--lightly and steadily on the foot cymbals (on beats 2 and 4) while playing intricate syncopated work on the snare drum, bass drum, and tom-toms
06:21 Drummer splashes a definite clue that he has finished his solo
06:23 Tenor sax solos again with some double-time phrasing
06:42 New chorus uses a new simple blues motive
07:03 Tenor sax softens to accentuate the walking bass as in the beginning, a return the the original motive
07:25 New chorus with an increase in solo activity
07:46 Final chorus and more melodic exploration
08:09 Piano and drums soften to feature the bass
08:18 Fade out
